Bio
Lennart Boyd Schürmann (*1994, London) studied philosophy, science of religion, philology and law in Berlin, Paris and Karlsruhe and stage direction at the Münchner Kammerspiele. In his works, choreographic models are developed and constellated around aporias inscribed in the modern project, in search of ways to communicate between irreducibly different perceptions. Together with curator Moritz Nebenführ, he works as , Bruch‘- in transnational collaborations between theater, visual arts and academic research.
Lennart Boyd Schürmann (*1994, London) studierte Philosophie, Religionswissenschaft, Philologie und Jura in Berlin, Paris und Karlsruhe sowie Regie an den Münchner Kammerspielen. In seinen Arbeiten entwirft er choreographische Modelle und experimentelle Problemkonstellationen als kontemplative Spielfelder prekärer Sinnwelten und (anti-)moderner Emanzipationsbemühungen. Gemeinsam mit Kurator Moritz Nebenführ realisiert er unter dem Namen , Bruch‘- transnationale Kollaborationen zwischen Theater, bildender Kunst und akademischer Forschung.
Dates
intimacies
Wiener Festwochen
May-June 2025
‚Bruch‘-
SPIRIT PLASTIC
SPIELART festival, Kölnischer Kunstverein
October 2025
‚Bruch‘-
KLITTERN (aesopica) booklaunch and performance sculpture
Etablissement d'en face, Brussels
8 December 2024
‚Bruch‘- : Mbretëreshat e Klubit të Nates
Albanian and Kosovo National Theatre Showcase
2 November 2024
‚Bruch‘- : COAST OF PLEASURES
Nida Art Colony, Lithuania
19 July 2024
‚Bruch‘- : Mbretëreshat e Klubit të Nates
Mediums International Theatre Festival, Tiranë
16 July 2024
‚Bruch‘- : Intimate Strangers
X-Erinnerungen
Tangentene 2024, St. Pölten
Premiere: 28 June 2024
‚Bruch‘- : Mbretëreshat e Klubit të Nates
National Theatre of Albania (Teatro Eksperimental), Tiranë
Premiere: 23 May 2024
too good to be true (oceanic feeling)
Co-Creation with Jana Baldovino
Palmgarden, Luitpold Block, Munich
March 2024
‚Bruch‘- :Diderot in Petersburg
Theater Neumarkt, Zurich
Premiere: 11-28 January 2024
THEODRAMATIK
research project, July-Dec 2023
Vfdkb
BRUCH varieté
Nida Art Colony, Lithuania
Residency, August-September 2023
(A)POLITICAL ENTERTAINMENT
research project on Fritz Grünbaum and Paul Abraham
Fonds Darstellende Künste
April-June 2023
BRUCH varieté (Carl Einstein - Die schlimme Botschaft)
workshop presentation with the ensemble of Theater Neumarkt, Zürich
Cabaret Voltaire
6 June 2023, 20h
KÜHLPSALTER (klittern), after G.J., 24 March, 1970
Screening as part of Program - 23, organized by Bauer Verlag
Café des Arts, Cité des Arts, Paris
18 April 2023
Erich Mühsam : Die Freivermählten
NS-Dokuzentrum, Munich
4 April 2023, 11h
EROS (encore)
Tanzcafé Maratonga, Munich
3 April 2023, 20h
KLITTERN (aesopica)
Ballhaus Ost, Berlin
3, 4 February 2023
BRUCH varieté
Fleetstreet Theater, Hamburg
28 January 2023
THEODRAMATIK
PACT Zollverein, Essen
Residency (Take Heart), September-Oktober 2022
CHANTS D'AMOUR (with Titilayo Adebayo)
Palmengarten, Café Luitpold
19 July 2022
KLITTERN (aesopica)
Thalia Theater Hamburg | Körber Studio Junge Regie
4 June 2022
BRUCH (takeover)
Radio 80000
24 May 2022
KLITTERN (aesopica)
Münchner Kammerspiele
premiere: 25 March 2022
COLD LOVE (seelenstahlbaden)
Münchner Kammerspiele
premiere: 17 July 2021
tanikō (cold love)
Brechtfestival Augsburg
5 March 2021
ERMITAGE [drafts]
Lothringer Halle 13
15 July 2020
Texts
, Bruch‘- in conversation with Ann-Kathrin Eickhoff, PROVENCE magazine, July 2024
[reviews]
„With Pleasure. ,Bruch'- at Nida Art Colony“, Ieva Gražytė on Coast of Pleasures, August 2024
"Queens of the Nightclub", SEEstage on Mbretëreshat e Klubit te Natës, June 2024
"Optik, Schwung und Show", Theater Heute on Diderot in Petersburg, März 2024
"Zarin sucht Lover", Nachtkritik on Diderot in Petersburg, January 2024
"Katharina die Große ist ein Mann", NZZ on Diderot in Petersburg, January 2024
TAZ on KLITTERN (aesopica), February 2023
Sueddeutsche Zeitung on KLITTERN (aesopica), March 2022
[as (co-)author]
"This House Is Not a Home: Producing
Encounter-Based Collective Formats in Times of Covid-19"
The Garage Journal (2021: 2), 132-151.
"Die Drastik des Virtuellen. Zu Erich Ungers Apologetik extremen Denkens"), in: Berger, Louis et al. (Hg.): Leben am Ende der Zeiten, Frankfurt am Main / New York 2021, 122-144.
"You created me. Affective Technologies in Greek Performativity and Twenty Looks", in: Trajal Harrell (ed.): Twenty Looks or Paris is Burning at the Judson Church: XL Publication, New York 2017, 160-185.